But Notch takes you beyond the expected, to voxel cone tracing for ambient occlusion and global illumination, mix in reflection & refraction support and you’ve got something special.
The UI is designed to be familiar and intuitive to use, based on our decades of experience with 3D and compositing software. Notch takes industry standard paradigms and finely tunes them for a real-time workflow.
While the Notch engine is mature and in full release, Notch Builder (the authoring tool) is currently in beta. This means regular updates and the close involvement of our user community as we finish polishing.
Our interface is based on nodes: small, simple building blocks, connected together logically and intuitively to make spectacular creations. The only limitation is your imagination.
From the Keyframe-Based Curve Editor to the NLE layout, Notch provides the tools to realise your visual narrative. And if you need to use the sequencer of a 3rd party tool (media server / lighting desk / sensing software), simply expose the desired node parameters.
Notch has been crafted to fully integrate between particles, fields, geometry and textures. Seed your particles from a live video source or textured geometry. Then use the particles to generate elements like geometry, light sources and more.
Sophisticated particle effects require huge numbers of particles. Notch’s real-time GPU based solver is immensely powerful, processing millions of particles every frame through a great range of affectors.
Clone 3D objects in grids, radially, or with iterative transform functions. Clone to mesh vertex or polygon positions or image pixels or particles or voxels and more. Then animate it all with an array of affectors.
Voxels and volumetrics have been made a mainstay of the engine, being created from meshes, particles, fields or even Kinect data. Notch delivers stunning shaded real-time volumetric renders and simulations.
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